Charles H. Woodbury was born in 1864 in Lynn, Massachusetts, where his earliest work was part of the oeuvre of the group later known as the Lynn Beach Painters. While an undergraduate he became a regular exhibitor at, and at 19 the youngest member of, the Boston Art Club. After graduation from the Massachusetts Institute of Technology in 1886 Woodbury had great success painting up the New England coast and in the towns and beaches of Nova Scotia and exhibiting the results. In 1891 he went to Holland, where he studied the techniques of the modern Dutch painters. Upon his return to New England he settled in Boston for his winter studio and spent his summers in the small fishing village of Ogunquit, Maine; there he founded one of the most successful of the summer art colony schools that even survived his death. He was one of the most sought-after teachers of his generation, having begun teaching on a regular basis while a freshman at M.I.T. Ironically, he had little formal training himself other than a few months of classes at the Academy Julian in Paris. Like Winslow Homer, another New England painter with an affinity for summers in Maine, he preferred "to work out his salvation with little help from others in his profession". Nevertheless, Woodbury maintained a close friendship with John Singer Sargent and a pleasant acquaintance with many of his contemporaries including J. Alden Weir and Childe Hassam. He maintained a strong and consistent vision in his more than fifty years of professional life and became a master of compositions of the coast and sea. Woodbury’s many on-the-spot sketches and etchings produce a sense of motion through quick, sure-handed strokes. Seeing and understanding movement was fundamental to his art and teaching, and is reflected in his own maxim: “Paint in verbs, not nouns.” In the words of his son David, Woodbury "...painted what he saw, satisfied that what he saw was really there, all in proper relationship, checked and rechecked by endless reference to the real world".
In his later years he spent his winters in the Caribbean sailing from island to island painting watercolor studies of the beaches and town backed by dramatic mountains and clouds. Over a large part of his career he made some of the most expressive etchings of any American artist of his time, completing more than 500 plates and teaching many younger artists to express themselves in this medium. He died on January 21, 1940 in Jamaica Plain, Massachusetts.
Woodbury engaged in over 100 solo exhibitions throughout his career, and was included in all of the major invitational and juried shows throughout the country. His work may be found currently in The Art Institute of Chicago, The Museum of Fine Arts in Boston, and New York’s Metropolitan Museum of Art among many others.
Howlett, D. Roger. “The Lynn Beach Painters.” Boston: Copley Square Press, 1998.
Loria, Joan, and Warren A. Seamans. “Earth, Sea and Sky – Charles H. Woodbury – Artist and Teacher, 1864-1940,” exhibition catalogue. Cambridge, Massachusetts: The MIT Museum, 1998.